Thursday, February 9, 2012

Fast Light Bourees In Ballet Toe Shoes

The bouree is everywhere in classical ballet choreography, and it is a challenge to be light and fluttery in real ballet toe shoes. In Pas De Quatre, La Sylphide, Giselle, this movement transports the ballerinas swiftly across the stage, implying her not-quite-physical but definitely supernatural character.

In the fourth act of Swan Lake, the corps de ballet of Swans are genuinely mourning and almost weeping sometimes, from what seems like an eternity of bourees, as they try to keep the White Swan isolated from Von Rothbart and The Prince.

So what makes this movement effective, and maybe a little easier to do?

Strong core muscles and well held ballet turnout keeps you well in control of your leg movements. In the bouree, the knees are not entirely pulled up, but instantly tensing and releasing, invisibly. The more turnout you have, the easier it is to keep the back foot leading.

Being pulled up at the bottom of your core muscles allows you to maintain your posture without clenching your gluts, or your butt muscles, too tightly. This is important because it allows a fluid, fast, tiny transfer of tension in the hips, knees and ankles. This is where the fluttering quality comes from.

In contrast, if you are clenching your gluts instead of using your rotator muscles to turn out, you will be tight and rigid, and pushing down into your thighs, instead of pulling up out of them. As well as impeding the movement, this makes your thighs look bulky, instead of long and lean.

So to re-cap:

strong core muscles = fluid movement in the legs
strong core muscles = relaxed neck and shoulders
strong core muscles + proper turnout = the correct tension in the hips and thighs


Mentally, picture the movement of picking the toes up from the floor, not putting them down. It can trick you into feeling light and floaty.

If you found this helpful, there are more tips at Ballet Toe Shoes.

Sunday, December 18, 2011

Ballet Parents Worry About Eating Disorders - Or, Disordered Eating

Ballet parents - I have written an article about disordered eating and hypoglycemia that you may find interesting.

Hypoglycemia is an insidious condition that can show up as symptoms of depression, anxiety, mood swings, fatigue - general unhappiness. It is good to read about this, because diet will correct it and return enthusiasm and well being to some individuals, without further complication.

Not that any of the above symptoms should not be investigated along other ideas, but in the spirit of keeping things simple, it is useful to get some knowledge about hypoglycemia. If it is present, the other remedies are not going to work well anyway.

I know ballet parents want to do the best they can for their dancing children...read an introduction to hypoclygemia and see if it applies to your dancers.

Monday, November 28, 2011

Pointe Shoes - Can You Be The Best In Class?

Pointe shoes are the goal when you get into ballet, either as a child or an adult ballet classes beginner. So how can you get ahead and aim to be the best in class? What if this is not a realistic goal? I am going to tell you how to get as close to this result as you possibly can.

I say, set your focus on it. Your first couple of years in ballet training is to learn the exactly correct technique so that you are not repeating the thousands of plies, battements tendus and all the other ballet barre work, and if you're doing it wrong, wasting your time.

Every student could benefit from a private lesson now and then. Most ballet teachers do not get to every detail of every student's work in every class, although they try to do so.

I honestly believe that the more you can learn on your own - not teaching yourself without a teacher, but in regards to understanding correct ballet technique - the faster you will progress with the difficult physical challenges of ballet.

Pointe Shoes

Everything you do in soft shoes, you will eventually do in pointe shoes. You need to be strong enough, and technically accurate. I recommend that you get your copy of THE BALLET BIBLE.

Can you be the best in class? I don't know that, but I do know you can be the best you can possibly be, with the right instruction and practice.

Wednesday, November 16, 2011

The Perfect Pointe Book – By Lisa Howell




For ballet beginners, adult ballet beginners, and men in pointe shoes.

“The Perfect Pointe Book” is for dancers of all ages. Designed to chart your progress step by step, to get you dancing in pointe shoes, this dancer's guide ensures that you have a safe and fun progression onto pointe! It is well-priced at $47.77 USD, and the vendor offers free updates indefinitely, so KEEP YOUR TRANSACTION NUMBER when you purchase.

The author is Lisa Howell, a Physiotherapist (Physical Therapist) with 10 plus years of experience in treating dance injuries and helping ballet dancers prepare for getting into pointe shoes. Her routines combine classical technique training with physiotherapy techniques to fine tune and accelerate your preparation for pointe work! This book will be your point of reference for years of dance training! The book is available in a downloadable e-book and accompanying MP4 video files.

The 141 page e-book has four stages that look at; the flexibility of your feet and ankles; the strength of all the little muscles in your feet; your turnout muscles; and your core strength and balance.

You test yourself at the start of each of the 4 stages, and then learn specific strengthening exercises that really focus on waking up all of the important muscles. After two weeks, you then re-assess yourself, and if you can do the exercises perfectly, you can go ahead and learn the next group of challenges.

The program then guides you through four special exercise programs designed to really target those areas and improve your technique and strength as quickly as possible! And because all of the tests and exercises are now recorded on video, you can watch videos of girls just like you going through all of the exercises and test so that you can see it in real life! (Over 2 hours of Video footage is included!)

BUY IT NOW! Or read on for more details.

Lisa Howell was a dancer, and she knows that when you start pointe work, you are eager to learn all the ballet tips that will help make your dancing spectacular! The Perfect Pointe Book is her solution for you.

During her 10 years of working closely with dancers as a physio-therapist and recognizing that the same weaknesses result in the same problems in ballet toe shoes, she developed a system that explains to students how to get ballet technique, ballet movements and ballet positions exactly right, from the beginning. If you train with bad technique, it is VERY frustrating to have to UNLEARN and correct your basic ballet steps.

Whether you are a recreational dancer, or you hope to become a professional ballerina, this dancer's guide is an essential support for your ballet goals. Whether you are a pointe beginner, or have been en pointe for years, you will learn important details about your body and how it can function anatomically correctly,by going through these well-designed paces. With this book you will understand what muscles do what, why some people do ballet with less struggle, how to increase your turnout and how to get your maximum pointe!

The Perfect Pointe Book makes understanding the body fun, and remarkably easy. Lots of photos show you exactly how to do the exercises, and now added videos further illustrate every detail!

Ballet students and ballet parents are concerned about what effects pointe work may have on their feet, and are worried about foot pain or toe pain. Understanding pointe shoe sizing, and types of toe shoes, will relieve your concerns.

This popular new program shows you how to strengthen your feet, turnout, legs and core muscles in the shortest amount of time. Now that there are so many shapes and weights of pointe shoes once your feet are strengthened, and the shoes fit well, it is entirely possible to dance with little or no pain! If you know what to feel, from the beginning, and how to get the most out of your pointe shoes, you can have a successful and happy career dancing on your toes.

This instant download e-course is now available for you to take advantage of!

(Ballet Parents - be sure to get your complimentary ebook The Perfect Pointe Book Parents Manual when you buy The Perfect Pointe Book).

Get your own copy of THE PERFECT POINTE BOOK -- ebook, videos and test charts right now! Instant download.

Thursday, October 13, 2011

Ballet Pointe Work Technique

The incredible variety of pointe shoe brands, and the confusing array of shapes within these brands, in ballet toe shoes, should make pointe work easier.

For dance parents reading this, please understand the cost of this financial investment at stake here. If you worry about whether or not your dancing daughter is prepared for pointe, you should get her The Perfect Pointe Book.

Pointe shoes are not to be grown into. They must fit like a glove, to be blunt. If your daughter has a high hypermobile arch, shoes will broken completely, in a few classes. This changes as your child's foot muscles get strong, and the ballet exercises to prepare for pointe will hasten the process.

A student's first pointe shoe fitting should not be rushed. If an experienced fitter or your ballet teacher is present, that is a real help. (Not all ballet stores have experienced fitters.)

Your child's foot shape must be examined. The length and evenness or tapering of toes, the width across the metatarsals, the height of the arch, and the depth of the foot must all be fitted correctly. Ill fitting shoes can contribute to sprains and permanent injuries.

Before you get to the pointe shoes, consider shoe padding. This will take up space in the shoe. The variety of gel pads, toe length adaptors, toe tips and all the other things are wonderful, but you must use them to fit the shoe.

The boxes, or space in the shoe for the toes, of pointe shoes come in tapered shapes, and square shapes. They must fit so that the foot does not sink into, or slide around inside the box. A longer second toe usually requires a slightly tapered, narrow to medium box, but there are no hard and fast rules. A longer big toe may also feel more comfortable in a tapered box, but every shape of shoe must be tried on.

Dancers should wear their tights when fitting pointe shoes.

You can check the vamp needed by rising up to 3/4 pointe, to see if the shoe break is where your metatarsal joints are. Too high a vamp will impede the foot movement, and too low a vamp will not provide support.

The stiffness of the shank you need will be determined by the arch height and ankle flexibility. You should be able to get up onto the platform, the end of the shoes,fully, so that you are not leaning back into the box. The shank must give support, but not provide so much resistance that you can't work properly. Most shoes will break in, and keep breaking in until suddenly they are worn out! That's the life of a pointe shoe.

When you are up on pointe, there should be about 1/4 inch of fabric at your heel. If there is none, the shoe is too short. If there is more, the shoe is too long. Also, if you do a demi-plie, and your toes are mashed into the box, hurting, the shoe is too short, too narrow, or both.

The vamp should not gape or wrinkle - neither should the sides. There should be equal pressure from the shoe all over the foot.

I've tried to keep these articles fairly short - but like your first few fittings - time, patience and detail is needed.

Here are a couple of wonderful references I have found;

http://www.the-perfect-pointe.com/HavingAFit.html is a detailed article written by a pointe shoe fitter

http://www.the-perfect-pointe.com/list2.html is a graphic table of pointe shoe brands with specifications. It is an excellent guide to start with before you shop.

An expertly written ballet dancer's guide with all the necessary details will help you find exactly the right fit in pointe shoes and provide videos and detailed instruction.

Friday, September 23, 2011

Ballet Pointe Work And Ballet Barre Exercises

Ballet students want to build muscle power so they can do ballet pointe work as soon as possible. And they can build ballet muscles faster if they truly understand how their ballet barre exercises develop their professional footwork.

Consider this: every ballet movement where your foot leaves a closed position, usually fifth position, and ends in a pointed foot position, on or off the floor, uses your tiny intrinsic (in the foot exclusively) foot muscles. Just at the barre you do:

* battement tendu
* battement degage
* battement picque
* ronde de jambe
* ronde de jambe en l'air
* grand battement
* developpe

In each of these exercises, your foot goes from a closed, or flat on the floor position, to a pointed position. Every single ballet movement is an opportunity to use your foot muscles properly. As you leave a closed position, you pretend your leg is getting longer, elastic down the back. You push down into the floor, creating RESISTANCE to your gliding movement.

If your body position is stable, then the RESISTANCE is the part of the muscular effort that develops strength. In your foot muscles, and in your postural muscles of the spine and hips, which keep your body upright.

In a battement tendu, you end in a pointed foot position on the floor (a terre).
In a battement degage, you allow the foot to leave the floor, but only so far
In a battement picque, you degage, and then bounce the toes off the floor one time, maintaining the point.
In a ronde de jambe a terre (on the floor) you close into first, RESISTING and pushing into the floor with the sole of the foot, and RESISTING and pushing the into the floor with the foot as you leave first position to the next open position.
In grand battement, you leave the closed position, quickly, with pressure into the floor.
In developpe, you leave fifth position, pushing into the floor with your foot muscles, as opposed to just lifting the foot up.

That's a lot of work! All in those tiny ballet foot muscles.

Imagine the power you have when you push off the floor to jump. Of course your thighs and calves are pumping. But the very last thrust from the floor is from your feet and the ends of your toes. There is your quality. A quick, sharp, exit from gravity.

If you are a dedicated ballet dancer, feeling impatient to do ballet pointe work, you can learn more about all your ballet barre exercises by getting your own copy of The Ballet Bible.

Wednesday, July 20, 2011

SYTYCD - Win A Trip To A Live Taping

Win a trip to view a live taping of SYTYCD!

Just thought I'd pass that on!